The vase in this painting was a gift from my Japanese grandmother. She really appreciated that I was studying ikebana, the Japanese art of flower arranging. Suko Kuboyashi was my sensei, a teacher who was extremely gifted and who had spent his entire life perfecting this art form. I wanted to commemorate this gift from her with this painting. The scene was not contrived. This was the still-life as it looked from day-to-day in my home. I loved the way that the lantern lit the other objects near it, and complemented the traditional vase. The carved coral Buddha was also a gift from a friend, and his presence in the foreground created a harmonious feeling to the collection of objects. I named the painting “Vessels” as it struck me that the painting was about three vessels. The lantern was a vessel for light, the vase was a vessel filled with water that fed the flowers, and the Buddha was a vessel of Divine presence.
A painting of an ikebana arrangement that I did. My teacher was Sensei Shuko Kobayashi, a master of the Sogetsu school. He was a very inspiring teacher with great skills and a honed sense of aesthetics; a sculptor working in living materials.
Ikebana 1 is painted on sheer silk and floated off the back of the frame. The frame is constructed of figured bubinga with sterling silver hardware. Decorative paper backs the painting.
Check out my Framing Methods and Materials page to get a sense of my approach. Please contact me if you have further questions.
A spare arrangement of the Sogetsu style, this is another arrangement that I painted after composing it. I love the use of leaves, especially large leaves, in ikebana. The sculptural play that is possible is limitless.
Ikebana 2 is painted on sheer silk and floated off the back of the frame. The frame is constructed of quilted maple and bocote with sterling silver hardware. Decorative paper backs the painting.
Check out my Framing Methods and Materials page to get a sense of my approach. Please contact me if you have further questions.
Beneath the Plum Blossoms is painted on sheer silk and floated off the back of the frame. The frame is constructed of narra and lacewood with sterling silver hardware. Decorative paper backs the painting.
Check out my Framing Methods and Materials page to get a sense of my approach. Please contact me if you have further questions.
In the spirit of the season I painted this peace rose surrounded by sunlight reflected on water. May the end of this year be peaceful and light-filled for all of you my friends.
Dogwood trees have always enchanted me. I appreciate their delicacy, the texture of the flowers, and their ability to grow and bloom in harsh climates. I used to stare out the classroom window at an old and beautiful dogwood tree in bloom. I was hardly able to concentrate on my schoolwork because the tree was so captivating.
An Empress of the Night in full bloom is a gorgeous and equally brief presentation of what it is to be open, full, brilliant, and alive. They bloom once a year for a single night. As you can see, they hold nothing back. They make the night and their time count.
Calla Beauty is the sixth portrait I have done of Calla Lilies. I love the structure of the flowers and leaves, both. Calla's are beautiful sculptural forms.
A chrysanthemum in its perfection being viewed with the light of the full moon. In Japan there is a tradition of inviting guests to your garden when the chrysanthemum is in perfect bloom, timing the gathering with the full moon. A night of taking in beauty, quiet wonderment with a little green tea.
I really like painting calla lilies. The flowers are so strong, and their form is so classic. The leaves, too, are so supple, and are such a pleasing shape. I have painted a number of them, mostly white. So, I thought I would try another color since they appear in such an array of vibrant colors. Voilà, a mango calla.
I have a friend who does organic farming on Taveuni Island in Fiji. She lived near me in West Sonoma County for a few years, and grew magnificent roses; breathtaking actually. She made rose jam from the roses. I never tasted anything like it. Every morning she went into her rose garden and hand-picked the aphids off the petals. She would allow nothing to taint the flavor of that delicious, pink concoction that paired so well with Screaming Mimi’s vanilla ice cream. Here’s to you, Amy! Fiji is lucky to have you.
I fell for begonias the first time that I visited the begonia house at the Mendocino Botanical Gardens. I was surrounded by blooming begonias in every color. I remember turning, bending, and going on tiptoe, to catch the best views of each flower. Ever since then I have been growing begonias, enjoying their beauty at each stage of their life. This is a portrait of one from last year.
I have always been a great admirer of the calla lily. I love the structural quality of the flower and plant, the simplicity of line. I love it that you can find these flowers growing wild along the California coast.
Looking at the sunlight on the water has been a lifelong enjoyment. There is just nothing quite like it. Peace is what happens to me when I sit and contemplate the brilliant patterns of light dancing on water.
Dahlias are another flower that I grow and admire. I delight in their beauty, structure, and striking colors.This painting is a continuation of my flower series. This time I drew inspiration from Art Nouveau, creating a detailed halo to further celebrate the central dahlia.
I was six years old when I moved to Fiji. My favorite service when I arrived was caring for the orchids in the large orchid house that was already established. The orchid house was a large reed and thatch bure; a Fijian-style structure. The airy building was filled with orchids of many varieties and colors. My favorites were the Catalayas with their large, frilly petals and soft, pastel colors.
When I asked a friend what his favorite flower is, he replied "a Japanese maple, even though it is not a flower." I agreed wholeheartedly. Maples have the most amazing delicacy, and their leaves change to flower-like colors each year. Their branches come in all kinds of shapes and textures, and some of them also change color with the seasons.